随着社会的发展,科技水平的提高,这让铜雕行业有了一定的发展空间.人们生活水平的提高,人们越来越注重提升自己的艺术层次,现在很多人收藏铜佛像.佛教的传入,铸造的铜佛像也越来越多,铜佛像从那时候起就开始兴盛起来.铜佛像分铸造和锻造两种工艺,佛像的摆放也不是随意而为,各种铜佛像的摆放要遵循佛教的一些理发规矩.如观音菩萨,象征着大慈大悲,救苦救难,应放置的方位是“坐西向东”,在家里不能向着厕所,房门和饭桌;而弥勒佛在摆放的时候要超过人的头顶,不可放的太低,方位靠西向东;释迦牟尼佛摆放应放在最中央,菩萨要放在释迦牟尼佛的左侧.

With the development of society, science and technology level, which makes the bronze industry has a certain development space. The improvement of people's living standard, people pay more and more attention to enhance their artistic level, now many people of bronze statues. The introduction of Buddhism, casting bronze Buddha also more and more, began to flourish from copper Buddha that time. Casting and forging copper Buddha divided into two processes, the Buddha is not placed at random, all kinds of copper Buddha placed some rules to follow. A Buddhist symbol of infinite compassion and mercy, such as Avalokiteshvara, should be placed to help those bearing "sit West to East", in the home not to toilet. The door and the table; and the Maitreya Buddha to surpass the head placed in time, do not put too low, range on the west to the East; Shakya Muni Buddha should be placed in the most central, the Bodhisattva should be put in the Shakya Muni Buddha on the left.

铜雕文化的发展可传承很大一部分取决于相关行业的发展方式.艺术是一种比较高尚的境界,铜雕文化经过历代的沧桑,成为现代的中华民族的铜雕文化,对后一代的影响挺深远的,铜工艺品的展示,就足足证明了时代的进步与发展.五千年的历史文化,在这几千年中中国的文化一直在不停的发展着,雕塑文化也是在不断的发展着,我们可以看铜雕的发展,看到中国的历史文化.

Mode of the development of bronze culture heritage depends largely on related industries. Art is a noble state, bronze culture through the ages of the vicissitudes of life, has become a modern Chinese bronze culture, influence on the later generation of very profound, copper crafts exhibition, fully proved the progress and development in the age of five thousand years of history and culture. Chinese, in the thousands of years of culture has been constantly developing, sculpture culture is in constant development, we can see the development of bronze, see China of history and culture.